B i o g r a p h y  

Concert pianist Jarred Dunn is featured on the 2018 CBC List Top 30 Under 30: Hot Canadian Classical Musicians of 2018 (CBC). He is the First Prize winner of the 2018 Lithuanian International Chopin Competition (Vilnius), where he also received the Special Concerto Award, leading to his premiere with he Lithuanian Chamber Symphony in November 2018, and a recital premiere (Chopin Four Scherzi). His first recording, Chopin and Debussy, was produced by Dan Barker (Freedom From Religion Foundation) and recorded by Audio for the Arts (Madison, WI). Mr. Dunn has been reviewed by the New York Classical Music Guides as “evocative and mystical” (Donald Isler), "technically perfect" by Belarusian First Radio, and “a virtuoso with the most exquisite touch” (Annie-Laurie Gaylor, Freethought Today, Madison). 

Upcoming appearances in the 2019/20 season include Brahms Piano Concerto in D Minor, Op. 15 with York Philharmonic Orchestra (Richmond Hill Performing Arts Centre) and Mozart Piano Concerto in A Major K488 with Niagara Symphony Orchestra (First Ontario Performing Arts Centre).

Mr. Dunn has performed worldwide as a recitalist, chamber musician, and soloist with orchestras, and his career has included invitations to perform in Poland, Hungary, Belarus, Slovakia, Germany, Spain, Portugal, France, Malta,The Czech Republic, England, United States, Canada, China, and Australia. He enjoys playing solo recitals, a capacity in which he performs regularly. Following an all-Chopin recital in Warsaw, one critic wrote, 

         

"Of course, the playing of the brilliant Canadian performer did not lack the “Polishness” that he had a chance to learn thoroughly from the best Polish teachers during his Master’s Studies in Katowice or later in Bydgoszcz. The “Polishness” was audible in every piece: from Nocturne in C minor op. 48 with its drama that was built by the pianist from the very first chords and the tragic ending, through Scherzo in E major op. 54, played with a great sensitivity, brilliant sound and technical mastery, to the brilliant Polonaise Fantaisie op. 61, a piece that is very complex harmonically and difficult in many aspects. Jarred Dunn showed his virtuosity, amazing sense of style, elegance and noble - but not excessive - sensitivity, passion - without being pathetic, beautiful piano and powerful forte, melodious - but not sugary - cantilena, broad phrasing and very rich, nuanced range of sounds."  (Nina Sankari, The Atheist Review, Warsaw)

In his repertoire are over thirty concertos, representing his immense interest in this genre of performing. He has appeared as a concerto soloist with the Torun (Poland), Etobicoke (Toronto), Niagara (St Catherine's), Rose (Brampton), Vilnius Chamber Symphony (Lithuania), Eurasian Chamber (Berlin), Budapest Chamber (Hungary), and State Radio and Television Minsk (Belarus) Orchestras. He has been heard on the CBC, WQXR New York, Belarus First Radio Minsk, and Freethought Radio-Television in Madison (WI). 

 

Mr. Dunn has given lectures, workshops and master classes at Steinway Gallery Toronto, Chopin University of Music in Poland, ORMTA branches across Ontario, Collegeum Musicum Conservatory (Toronto), North York Suzuki School (Toronto), International School of Music in Sydney, Ravenswood School in Sydney (Australia), and Vilnius Academy Pre-College. His articles have been published in the CMEA Journal, for which he writes as a contributing author on piano and pedagogical topics. Of special importance to him was research at the former site of Auschwitz-Birkenau and music during the Holocaust, culminating in an article about Anita Lasker-Wallfisch (former cellist of the Auschwitz Women's Orchestra).

 

He has been sought for adjudicating in competitions including the Burlington, Davenport, Peel, ORMTA, North York, Stirling, Rockland, Merriam, and the Discover Canada National Research Competition in Poland. He holds top prizes from the Grand Prize Virtuoso (London), Verona Zinetti International, D. Vincenzo Vitti, and Rome Academy Award Competitions (both in solo piano and chamber music). In 2013, he received the Teacher Recognition Award from the Ontario Federation of Teachers, and in 2012 at the University of Toronto he received the W.O. Forsyth Graduation Award, given to the most meritorious pianist graduating. He has received numerous scholarships and awards for his scholastic, musical, and pedagogical achievements.

His interest in a multitude of approaches to piano playing (and observation of musical personalities) has taken him around the world. As a student, he participated in master classes and consulted with many artists and pedagogues, including Dmitry Alexeev, Dmitry Bashkirov, Seymour Bernstein, Rafał Blechacz, Andrea Bonatta, Janina Fialkowska, Leslie Howard, Jenö Jandó, Robert Levin, Robert McDonald, John O’Conor, Choong-mo Kang, Julian Martin, Andrzej Jasiński, Seymour Lipkin, Matti Raekallio, Hartmut Sauer, Ilja Scheps, Balasz Szokolay, and Nelita True. He is a double-graduate of the University of Toronto (B.M., Piano; B.Ed., English) and took professional studies at The Juilliard School with Jacob Lateiner and Yoheved Kaplinsky. While in New York, he became one of the only members of his generation to study with Dorothy Taubman.

 

Mr. Dunn completed his Master of Music degree and Post-Graduate Diploma (with Distinction) in piano at the Karol Szymanowski Academy of Music in Katowice, Poland, where he was a student of Anna Górecka (daughter of composer HM Górecki), and pursued an Artist Diploma with Katarzyna Popowa-Zydroń at the Feliks Nowowiejski Academy of Music in Bydgoszcz. He also participated in workshops with Maria João-Pires in Portugal, at the Granja de Belgais, about which the CBC published Five Things I Learned from Maria João-Pires.